Cross Bound to be made available in physical format

Mulfra Thru Grass

Ridiculously prolific musician and writer Andy Martin is having several more books published, one of which is an anthology that he has invited me to contribute a story to. Cross Bound, a story only available online in Aphelion webzine’s September 2011/February 2012 (best of year) issues, is at 14,000 or so words, a long read on a computer screen, so this will be included in the anthology. Perhaps I am also quite old-fashioned in that I do prefer physical to digital art! Anyway, I’m delighted to have been asked to contribute. The story has had a few tweaks in terms of making parts of the prose more fluid, but the story hasn’t been altered. The anthology is due to be published in 2016.

Andy has also remastered all of The Apostles’ singles and several of their albums, ready for cd release on BBP later this year. He’s sent me the remastered Apostles’ 7th single, Death To Wacky Pop, which was recorded with my band The Joy of Living, nearly thirty years ago, and it does sound a little beefier than the version that appeared on the Mortarhate Records compilation cd a few years back. He also described two of JoL’s songs, Regime Of Kindness and A Walk With Love And Death as ‘superb pop songs’ and wants to record them with his current band, UNIT. Can’t wait to hear them!

Feedback to Storylandia 15: The Julie Travis Collection has so far been positive, but no reviews have yet appeared, so it’s difficult to tell how it’s being received. I’m very aware that I have long since left behind the shock and gore of my early writing and perhaps am wandering around the slipstream genre even more than before. I have no idea what kind of person might like what I write these days. The copies I sent to two local radio stations have been met with deafening silence, but since BBC Radio Cornwall has described the tv adaptation of Jonathan Strange & Mr Norrell as ‘too weird’, they’re hardly likely to embrace my stories. Meanwhile, after a week walking and discovering more megalithic sites on the Isles of Scilly, I’m still trying to come to terms with the disastrous result of the General Election. I’ll be back working on Pig Iron very soon.

Mandragora swallows the moon

006

As promised, here are the notes on Storylandia 15: The Julie Travis Collection:

From The Bones

As a child many family holidays were spent hunting for fossils on the beaches at Lyme Regis in Dorset. We have evidence of the ancient past all around us but fossils gave me an amazing connection to it. Later on, I became more interested in human history, more specifically the spiritual aspects of the Stone, Bronze and Iron Ages. These days I spend a lot of time at sacred sites and this story came from all of these influences. I’m somewhat uncomfortable with the ethics of digging up bodies and displaying them in museums and suchlike (although I have been to see Lindow Man and other bog bodies in the British Museum); does our demand for knowledge make it acceptable to disturb such places? There is a link here, I think, with our arrogance in extracting oil and minerals from the ground without worrying about the consequences, both for ourselves and for the Earth – to which we’re connected, whether we like it or not.

Grave Goods

More archaeology! Early burials would leave a few items – or, in the case of a high-status grave, almost a roomful of items – with the deceased, for them to take to the Otherworld. We don’t do that any more (at least in Western European culture) but perhaps we should. It might be of great use to take a few things with us wherever we go. I wanted to write a story that was definitely horror rather than dark fantasy and it was more or less drafted in three days. One of the characters was heavily inspired by Marlow Moss, a Modernist artist who lived in Lamorna, West Cornwall, in the mid 20th century.

Scar Tissue

Along with Pieces (Urban Occult, 2013), this story’s set in the gay community in Hackney/Stoke Newington in London, a scene I was immersed in for a few years in the 1990s. There were some terribly damaged women out there, mostly as a result of abuse in early life and this is based on some of them. It is not a failure to be mentally ill or damaged, but to use these things as leverage over other people’s lives is, in my view, criminal.

Theophany

This is a continuation, of sorts, of Darkworlds (Premonitions: Causes For Alarm, 2008) but not a ‘part 2’ – each story is completely separate and stands on its own (to make sure this was the case I didn’t mention Darkworlds to Ginger Mayerson, Storylandia’s editor, so that she could be objective when she read Theophany). Darkworlds was begun in London and finished in Lelant, Cornwall, where I lived when I first moved down here, and marked a far deeper, layered form of writing.

Widdershins

My favourite word. What happens when you walk anti-clockwise – ‘the wrong way’ – around a church? What happens when you live an unconventional life? The church and its location are based on St Bega, a small church that stands beside Bassingthwaite Lake in Cumbria. This is the first story I wrote after my mother’s passing. Everything is a time machine.

In an update on other work: The Man Who Builds The Ruins will not be appearing in the Dreams From The Witch House anthology. It hasn’t been rejected – I found out second hand what the book’s contents are and my story wasn’t listed. As yet, no one involved with the book has had the courtesy to let me know. I wish the anthology well and I intend getting hold of a copy, but I’m not impressed with the way the writers have been treated. Along with the blog writers who I’ve supported for years but who couldn’t be bothered to reply to a polite email asking if they’d be interested in a copy SL 15 for possible review, the wheat is certainly being sorted from the chaff as regards professionalism.

I’m working on two other stories: Pig Iron is close to a finished first draft. As soon as it’s done, I’ll do the final tweaks needed on The Hidden to finish it.

Storylandia 15: The Julie Travis Collection

Storylandia 15 Front

I’m very pleased to announce that Storylandia 15 – The Julie Travis Collection has just been published by Wapshott Press. It’s available direct from them or from Amazon in physical and Kindle formats. The finalised covers are shown here.

I’ve been having fiction appear in the small press for over twenty years now and it’s always wonderful to be published but this is my first collection, so it’s extra special. I must thank everyone at Wapshott Press and especially editor Ginger Mayerson for having such belief in my work. It’s appreciated more than they know. I intend giving details here of why I wrote each of the stories (From The Bones, Grave Goods, Scar Tissue, Theophany and Widdershins) in the near future. Of course, should anyone read the collection and wish to submit a review to Amazon or Goodreads, please go ahead – and I’m not only asking for good reviews to appear, which is apparently what some authors are doing these days. At least any review won’t be able to ignore my work, which is what has happened occasionally in the past, mostly with the Urban Occult anthology of two years ago, I suspect because of the story’s setting amongst the lesbian and gay body modification community in London.

Storylandia 15 Back

A first glimpse of Storylandia

Storylandia 15 Proofs

These are the front and back covers of Storylandia 15. It will be re-titled as the Spring 2015 issue of the journal rather than Winter, but apart from that all is more or less now finalised (photographed are the first and second proofs) and I expect physical and e-copies to be available soon. My huge thanks and appreciation to editor Ginger Mayerson and all at Wapshott Press for their faith in me and all their work on this collection.

In other news: Andy Martin is reportedly remastering just about all of The Apostles’ releases, beginning with all the singles, for cd releases on BBP Records. This was begun some time ago but was halted due to the untimely death of BBP’s Stephen Parsons. I’m assuming the first compilation will include The Apostles’ 7th e.p. recorded with my old band, The Joy of Living, which has been described as ‘folk punk’ and ‘anarcho acoustic’. This was released on cd several years back as part of a Mortarhate Records compilation, but was taken straight from the vinyl rather than remastered. I’m intrigued as to how this will turn out!

 

Rising from the dread

Harris 4

Things are somewhat in limbo regarding publishing and acceptance news – my collection in Storylandia has suffered various delays; proofs are currently being shipped to me for checking a few editorial decisions, so I’m not expecting the journal to see the light of day before April. However, the cover photo’s been chosen – it will be one of my photographs, taken at Highgate Cemetery in the mid 1980s (and not included in the shots published in Night Mail, as mentioned in my last post). I miss these cities within cities, which were one of the few interesting things left about London when I escaped. I was slightly concerned that such a photograph might be a cliché for a collection of horror stories, but the content of the photo – the cemetery’s mausoleums – are unique and should avoid the charge. Meanwhile, Dark Regions Press have launched an Indiegogo fund to raise enough cash to extend their Dreams From The Witch House anthology and to commission the cover artist to provide an illustration for each of the stories included, so it’s likely to be a couple of months before I hear whether or not The Man Who Builds The Ruins has made it into the book, which won’t be published until December 2015. I’m still working on two stories – with a list of ideas for the next several – Pig Iron is progressing well and In Holes And Corners, now definately titled The Hidden, is finally nearly complete. It’s taken a year, with several changes of title, to knock this one into shape. Sometimes it just does.

I have been able to get hold of some ‘musick’ that I’ve been after for a while. X-TG’s Desertshore/Final Report is wonderfully mind expanding and a lovely tribute to Peter Christopherson, despite my reservations about Genesis P-Orridge not appearing on it. I’ve also managed to get a few of the extra download tracks, Faet Narok, even more dreamlike versions of Desertshore than the main album. I’m currently listening in full, for the first time, to the Coil ANS triple cd set (over three hours long), which I bought for a reasonable price after several years of patiently looking at prices. The experiment – the band gaining access to the huge Russian ANS synthesiser, worked by etching diagrams into a glass plate and the machine ‘playing’ the pictures – gives me the sensation of flying through space, something I’ve dreamt of many times. I’m aware that more or less the only cds I’ve bought over the last several years have been ones that can be used to put me in a certain frame of mind which helps me write. That doesn’t mean I don’t enjoy them for their own sake – or that I can’t write without them – but they need to have a ‘higher’ purpose than just entertainment. And after seeing The Punk SingerSini Anderson’s documentary on Kathleen Hannah, which includes some wonderful footage of Bikini Kill and Le Tigre, I’m feeling super-inspired in entirely different ways. I met Anderson at the Dirtybird Queercore Festival and Sister Spit open-mic nights in San Francisco in 1996. She was a force to be reckoned with back then and, it seems, still is.

I’ve begun reading Jeremy Reed and Karolina Urbaniak’s book Altered Balance, which documents Reed’s friendship with Jhonn Balance of Coil. It’s raw and honest and sad. I didn’t expect anything else. Stories about when Balance and Sleazy lived in Chiswick reminded me of the late 1980s; driving through the area one day, I wondered which road the pair’s flat was in (my obsession has indeed been going on for decades); ironically I now believe I was in Beverley Road a number of times to visit friends who lived in the street.

*The photo at the top of this piece is of a female Harris Hawk, visiting the Eden Project with her owner when I was there recently. I have, of course, sent all the shots of the bird I took to Andy Martin of UNIT for possible inclusion in future UNIT releases.