Episodes from another world

Peter Tennant’s kind review of Storylandia, published last year in Black Static magazine, now available on his blog. Cyril Simsa’s collection, also reviewed here, sounds very interesting. My thanks to Peter for this.

Trumpetville

Reviews of two short story collections that originally appeared in Black Static #53:-

EPISODES FROM ANOTHER WORLD

Storylandia is the title of ‘The Wapshott Journal of Fiction’, published by Wapshott Press. The Spring 2015 issue, STORYLANDIA #15 (Wapshott Press pb, 142pp, $7.50), is dedicated to the work of Julie Travis, a writer who will be familiar to older readers from the early days of our predecessor The Third Alternative and possibly from other places as well. It contains five stories, all of them previously unpublished, and which, though the writer admits a preference for the term “slipstream”, have about them much that should appeal to horror genre purists.

Opening proceedings is ‘From the Bones’ which begins with the discovery of two separate burials on Dartmoor and the unearthing of ancient bodies that have been miraculously preserved and yet prove to have writing on their bones. For amateur archaeologist Vivienne this…

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This moment is not forever

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Photo: Julie Travis

And the scales balance again…I’ve swapped stories (mine: A Fairy Ring, due to be published in Andy Martin’s Fast-Clean-Cheap anthology this year, I hope) with writer and friend, Maj Ikle, who I deeply respect for her work and everything else she does. We used to meet in East London for wired conversations about writing and I’ve had many, many constructive and inspired comments from her on my work.

The Spoiler continues in a slightly, possibly a massively different way: I had an idea to change an aspect of the story, and the story has ‘forked’ several thousand words in, so has an alternative idea currently running parallel to the original. Whether this will turn out to be a matter of choosing which path makes the final cut, or if it’s possible to keep both ideas in the final copy, is yet to make itself clear. If the latter doesn’t work in this story, then it’s something I intend to make happen in the future.

I’m very happy to announce that The Morales, a band from Devon/Dartmoor, will be using a photograph of Bodmin Gaol (seen on this website), on the cover of their forthcoming album. I checked the band out and liked what I saw, so gave them my blessing. Best wishes to them!

The backdrop to all this is Kate Bush’s live album Before The Dawn, a cd that confirms the gigs she played in London in 2014 were incredible and the descriptions of them being a ‘spiritual experience’ were not an exaggeration.

All text and images copyright Julie Travis

 

Balance is everything

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Photo: Julie Travis

This post is being written under the influence – of whatever kind – of a Creativity candle purchased from the Museum of Witchcraft and Magic in Boscastle, North Cornwall.

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Photo: Julie Travis

In order to balance the positivity of my last post, and for the sake of accuracy and fairness (I don’t believe in only reporting good news about my writing) I need to report a very negative recent experience.

Basically, the plan I had to collaborate on fiction with an old friend has imploded in a big way. Somehow we’ve hopefully salvaged our 35+ year old friendship, which I’m grateful for, but it’s been a painful time. Myself and X swapped short stories – I thought in order to see what kind of thing the other wrote, he wanted to critique, and perhaps more communication at this point would have helped. This was not a level playing field – I’ve been a published writer for a quarter of a century, X had done a writing course for three months – and in terms of attitude and approach we clashed immediately. As you might understand, I did not take kindly to being told how to write by someone who, in my eyes, had yet to prove himself as a writer, (I’m aware and slightly concerned that I’m guilty of snobbery here, although I was impressed with and respected the work he gave me) and his admission that he writes purely for entertainment was not enough for me. As has been acknowledged by another good friend, creativity is the key to my survival. I would hope that my fiction makes that clear, that I am channelling some quite terrible, but also fantastic, things from my life experiences, from my head and from my dreams and nightmares into fiction. Don’t get me wrong, I can take criticism – I’ve had more story rejections than I care to count, constructive criticism from many, many editors and writer friends critique many stories over the years. I am used to criticism, more than I am to praise. This was different. I was also put on the spot, as far as I could tell, to justify including an androgynous female character in the story (Grave Goods) which flummoxed me completely. Why wouldn’t I have characters which reflect myself in some way? This was later put down to a misunderstanding (X is very politically astute, which is why I was so thrown), but at the time I felt ‘Othered’ and it made me think that perhaps that’s why I’m not having much luck placing stories (in the UK at any rate – America appears to be far more open minded). I would still like to collaborate on fiction with someone – it would be an interesting exercise and would make me feel less isolated – but it needs to be with someone I feel is on a more similar wavelength to myself.

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Photo: Julie Travis

As mentioned earlier, and as you will see from the photographs on this post, I went with my partner T to the Witchcraft Museum in the dying days of 2016. I hadn’t visited the place since the terrible floods around 13 years ago. To my relief, the place is still quite amazing, packed full of information and exhibits. I had seen that there was a piece dedicated to Jhonn Balance of Coil, well known as using magick in his life and musickal work. We spent a couple of hours in the museum, without seeing this piece and in the last room it still wasn’t there – we both found it puzzling as we could feel that it was close by, but were somehow not seeing it. Eventually I left the room and on the wall outside, in the Shrine area, was the piece.

For me, the last room was the most fascinating. I found a lot of information on Alex Sanders, the so-called ‘King of the Witches’, who Balance had contacted when in his early teens. Most interesting was Sanders’ work with psychic Derek Taylor, where they used coloured metal (I think) circles to channel with and become Time Machines – as you will see from the photograph, the design appears to have somewhat influenced the ones used as an insert to Coil’s 1998 drone album, Time Machines. A lot of things clicked into place then.

 

All images and text ©Julie Travis