Slowly ascending: book relaunch

Photo: Julie Travis

We Are All Falling Towards The Centre Of The Earth, published by Wapshott Press, is finally now available from Amazon, in paperback and Kindle formats. Once again, I must apologise for the mess of the original launch.

Today is the third anniversary of the passing of Ian Johnstone, to whom the book is dedicated.

All text and images © Julie Travis

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Summer Solstice/We are all falling towards the centre of the Earth

Greetings on this Solstice day, wherever you are in the world.

I’m delighted to announce that my new short story collection is now available from Wapshott Press and Amazon (paperback and Kindle versions). There is, perhaps, an accidental theme in this book, having (mostly) been written in the years following the death of my Mother and of a close friend. But at least one of the stories is a good, old fashioned horror tale, albeit with contemporary characters and settings. If I was trying to pin down what I do, the closest I could get would be, “feminist/queer/pagan/surrealist/occultist/dark fantasy”. Not necessarily in that order. But should I pin it down? People, including myself, like points of reference, landmarks and suchlike. Ideally, an open mind should be kept about all things – but when was the last time I read a book that wasn’t from my various genres or obsessions?

The cover photo is a detail from the Jhonn Balance Memorial Woodland, Cumbria, England, taken in April 2016. It seemed appropriate to add a green hue when taking the photo; for me, green stands for Life, nature, the environment. The location is extremely relevant to the theme of the book in various ways, and I’m really happy that editor Ginger Mayerson went with this image.

Story notes for all the tales in this book will appear soon.

 

All text and images © Julie Travis and Wapshott Press

Bass frequencies from other places

Photo: Julie Travis

A few updates on various projects:

Devon band The Morales, who asked permission to use a photo of mine on a forthcoming release, have now changed their name to the Wish Hounds and will release their first EP at the end of May. My photo of Bodmin Gaol should appear in some form on the back cover. I’m really looking forward to seeing this and am delighted for the band. I know from experience how many obstacles can get in the way of these things, so all power to them for persevering.

Wapshott Press are now working on various aspects of the book and I’ve been updating my bio and the Foreword as well as providing some ‘blurb’ for the back cover/Amazon etc. I still don’t know what the cover will look like, but there is now a publication date: 21 June 2018. I could have asked for an earlier date, but it feels right to release We Are All Falling Towards The Centre Of The Earth on the Summer Solstice. An article on folklore and the landscape should appear online a couple of weeks before the book’s publication – I’ll reveal where when it appears!

I’m making slow progress with a new short story, The Plastic Factory, but am currently focussing on lengthening my piece for Birds And Boys. It’s possible I’ll publish the new story here when it’s finished.

All images and text © Julie Travis apart from the title, from a radio interview with PJ Harvey.

 

Behind the bike sheds

Photo: Julie Travis

Andy Martin has asked me to contribute to his first novel, Behind The Bike Sheds. It’s not a collaboration as such, more a section written from the perspective of a 14 year old girl in 1968. There is so much material I can use from my own schooldays – although I was 14 in 1981, I don’t think schools, or children, have changed much since the late 60s – the basics of the section are easy in some respects, but I wanted to truly get myself into the headspace of my early teenage years, so I looked up the Facebook page of my old comprehensive school. It has been painful and has reopened some old wounds. I don’t think I’ve ever met anyone who enjoyed school; my circle of friends has always consisted of misfits and those who question authority, so school was a matter of surviving bullying teachers and ‘fellow’ pupils. I was bullied intermittently during junior school and constantly from the moment I moved up to secondary school to the moment I left, five years later. The research worked – the section’s well on track – but I was so immersed in how I felt as a schoolchild that when a friend expressed a desire to meet up with me I was in a state of confusion and distress as to why she’d want to. I managed to get out of that frame of mind but it’s frightening to realise the appalling damage done to so many children at school – and how these things are still happening.

 

All images and text © Julie Travis

A sky of ice

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Killing It Softly 2 has apparently been doing well, appearing in various ‘best of’ lists and making it to #2 in the anthology section of the Critters Workshop ‘Preditors and Editors’ Poll. Reviews are also good, although they inevitably talk about the book as a whole – with 38 stories, it’s going to be difficult to be read, let alone picked out, but I’m glad the anthology’s doing well. The publishers (Digital Fiction) have certainly worked hard promoting it. I finally got hold of a copy of Fast-Clean-Cheap. It won’t make anyone’s ‘best of’ lists and probably won’t get any reviews, as it’s far too experimental, but to me it looks like a fine publication and some of the criticism of it that editor Andy Martin has received – about the odd typeface in some of it, and the fact that some of it’s in German – are some of its most interesting points, in my view. But – as I remember from my fanzine writing days – the use of imagination and pushing the boundaries doesn’t go down well with many people.

Tomorrow, When I Was Young was submitted a couple of weeks ago to an online magazine and has just been rejected. No reason was given. Many editors choose not to bother giving any kind of explanation these days, which aggrieves me somewhat. Having spent countless hours writing and re-writing a story and having chosen their publication to submit to, a few words as to why they don’t want the story is not too much to ask. I usually take rejections on the chin – I’ve had many in my time – but this one concerns me. I suspect the reason may be the content, which involves a certain amount of genderblurring. I’ve suspected unpleasant reasons for story rejections before (one was almost certainly down to me not being able to contribute much to a crowdfunding campaign), but of course nothing’s ever provable. This is where I just have to keep faith and keep going. The other new story I’ve mentioned previously, The Cruor Garland, has is now in its third draft and, with any luck, I’ll be submitting it to a horror anthology by the end of the month.

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Finally, Unit appear on Godspunk Volume Eighteen. In the cd’s booklet, their double page includes a photograph taken by me of West Kennet Long Barrow, from my trip there last May. Many thanks to Andy Martin for using the photograph. I had no idea he was going to do this, and I was extremely happy to see it there.

All text and images © Julie Travis.

Fast-Clean-Cheap

 

Photo: Fast-Clean-Cheap front cover

I’m very happy to announce that Fast-Clean-Cheap is now available from Lulu. Editor Andy Martin has put together what sounds like a strange and wonderful assortment of writing and images by what he describes as ‘free-thinkers’. How my three stories (Cross-Bound, A Fairy Ring and Humans Remain) will sit with this lot is a real unknown for me – I don’t yet have a copy of the book to see how it all balances – but I look forward to getting hold of it as soon as I can. Obviously, I’m delighted when any of my work is accepted/published, but this one is a real highlight; to collaborate with Andy Martin again is an honour, and two of the stories that appear in the book were probably the hardest, emotionally, I’ve ever written (see Story Notes 2 for full details in the near future).

I now have the proofs of We Are All Falling Towards The Centre Of The Earth to go through and approve, so work is progressing as planned on this book. Meanwhile, I’m now working on two new short stories – Tomorrow, When I Was Young and The Cruor Garland. The first is possibly a less dark fantasy than usual and the second is the result of having watched an M R James adaptation on television recently! My original intention is for it to be somewhat Gothic, but what it’ll end up as is anyone’s guess.

I’ve been intruiged and amused to find that the record I played bass guitar on back in 1986 has been fetching quite silly prices on Ebay and Discogs. It’s currently on sale for £34 – £55. Wonderful for my ego but the more I think about it, the more irked I am. The record was always supposed to sell for 99p. The musicians who played on the record have never received a penny in royalties for it. We were happy with the deal we got – we paid for the recording but not for any other costs associated with releasing an e.p.. The people selling the record now are making an absolute fortune (in terms of percentage profit on what they paid for it) from our work and we still get nothing. Of the four musicians who worked on the record, at least two are suffering severe financial hardship. What I’d like to see – both as an artist and as someone who’s paid high prices for cds when buying direct from the artist hasn’t been possible – is a bit of the sale price being given to the artist. Having been a poor musician and now being a poor writer is not in the slightest bit romantic!

Things passed on the way to oblivion

Photo: Julie Travis

Happy Samhain!

I’m very pleased to announce that Canadian anthology of women’s horror Killing It Softly 2 has now been published by Digital Fiction. It contains 38 stories, including one of mine – Blue, which originally appeared in issue 1 of Kzine – in the Cognitive Deception section, which is extremely appropriate given the content. It is available initially on Kindle (for 99p until the end of October), and other eBook formats with the paperback being published in the next couple of weeks. I haven’t read any of the other stories, and am not familiar with the other authors, so I’m looking forward to getting hold of this.

Andy Martin’s anthology Fast-Clean-Cheap should be available now, but there seems to be a last minute hitch with publishers Lulu and it will appear very soon, I’m told. As previously stated, this one contains three stories, two of which are probably the heaviest, emotionally, I’ve ever written. More details about this as soon as I’m sure the book exists!

Wapshott Press are also calling my second short story collection, We Are All Falling Towards The Centre Of The Earth, a ‘done deal’, despite them not yet having read the nine stories submitted! This shows incredible faith in my work and it’s hugely appreciated.

Meanwhile, I’ve working on a new story, Tomorrow, When I Was Young, both here in Penwith and during the week I was on Dartmoor recently. It’s over 7300 words long and should hit the 8000 word mark by the end of the first draft. It’s a more fantastic tale than I usually write, involving time travel, gender fluidity and contact with the dead. With the book finished, I have no idea of who or where to send this to when it’s eventually completed. New horizons are necessary.

Away from writing (as much as is possible); I had the wonderful but bizarre experience of hearing Throbbing Gristle’s Hamburger Lady on the radio yesterday evening, as part of Radio 6 Music’s Samhain/scary songs special. It was unexpected and the radio was on at quite high volume; the effect was extraordinary. The area around where the Third Eye’s located felt as if it had swelled and I had the sensation of my head leaving my body. Job done, as far as TG would be concerned, I’m sure. But it does mean that I must get hold of DOA, which contains the track, as it will have various uses, writing and otherwise. The last time something profound happened regarding my Third Eye was during a group meditation several years ago, led by Pam Masterson, sadly no longer with us. I’ve discussed this experience here before, but basically it involved the feeling that my forehead had swung open and a ball of light flooded out. I contacted Pam about this and was going to do some meditation with her, but lack of money made it impossible.

On the subject of Radio 6 Music (a BBC digital station), I appeared on the Steve Lamacq show on Thursday, 19 October, on the Good Day, Bad Day section. I was able to talk self-indulgently about my favourite music, first gig I’d attended, favourite gig and my past as a ‘musician’. He was also kind enough to mention my website and played my ‘good day’ record, which was State Control by the Poison Girls.

 

All images and text © Julie Travis, apart from the title (from a story by Joyce Carol Oates) and front cover of Killing It Softly 2, copyright Digital Fiction.