Fast-Clean-Cheap

 

Photo: Fast-Clean-Cheap front cover

I’m very happy to announce that Fast-Clean-Cheap is now available from Lulu. Editor Andy Martin has put together what sounds like a strange and wonderful assortment of writing and images by what he describes as ‘free-thinkers’. How my three stories (Cross-Bound, A Fairy Ring and Humans Remain) will sit with this lot is a real unknown for me – I don’t yet have a copy of the book to see how it all balances – but I look forward to getting hold of it as soon as I can. Obviously, I’m delighted when any of my work is accepted/published, but this one is a real highlight; to collaborate with Andy Martin again is an honour, and two of the stories that appear in the book were probably the hardest, emotionally, I’ve ever written (see Story Notes 2 for full details in the near future).

I now have the proofs of We Are All Falling Towards The Centre Of The Earth to go through and approve, so work is progressing as planned on this book. Meanwhile, I’m now working on two new short stories – Tomorrow, When I Was Young and The Cruor Garland. The first is possibly a less dark fantasy than usual and the second is the result of having watched an M R James adaptation on television recently! My original intention is for it to be somewhat Gothic, but what it’ll end up as is anyone’s guess.

I’ve been intruiged and amused to find that the record I played bass guitar on back in 1986 has been fetching quite silly prices on Ebay and Discogs. It’s currently on sale for £34 – £55. Wonderful for my ego but the more I think about it, the more irked I am. The record was always supposed to sell for 99p. The musicians who played on the record have never received a penny in royalties for it. We were happy with the deal we got – we paid for the recording but not for any other costs associated with releasing an e.p.. The people selling the record now are making an absolute fortune (in terms of percentage profit on what they paid for it) from our work and we still get nothing. Of the four musicians who worked on the record, at least two are suffering severe financial hardship. What I’d like to see – both as an artist and as someone who’s paid high prices for cds when buying direct from the artist hasn’t been possible – is a bit of the sale price being given to the artist. Having been a poor musician and now being a poor writer is not in the slightest bit romantic!

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Things passed on the way to oblivion

Photo: Julie Travis

Happy Samhain!

I’m very pleased to announce that Canadian anthology of women’s horror Killing It Softly 2 has now been published by Digital Fiction. It contains 38 stories, including one of mine – Blue, which originally appeared in issue 1 of Kzine – in the Cognitive Deception section, which is extremely appropriate given the content. It is available initially on Kindle (for 99p until the end of October), and other eBook formats with the paperback being published in the next couple of weeks. I haven’t read any of the other stories, and am not familiar with the other authors, so I’m looking forward to getting hold of this.

Andy Martin’s anthology Fast-Clean-Cheap should be available now, but there seems to be a last minute hitch with publishers Lulu and it will appear very soon, I’m told. As previously stated, this one contains three stories, two of which are probably the heaviest, emotionally, I’ve ever written. More details about this as soon as I’m sure the book exists!

Wapshott Press are also calling my second short story collection, We Are All Falling Towards The Centre Of The Earth, a ‘done deal’, despite them not yet having read the nine stories submitted! This shows incredible faith in my work and it’s hugely appreciated.

Meanwhile, I’ve working on a new story, Tomorrow, When I Was Young, both here in Penwith and during the week I was on Dartmoor recently. It’s over 7300 words long and should hit the 8000 word mark by the end of the first draft. It’s a more fantastic tale than I usually write, involving time travel, gender fluidity and contact with the dead. With the book finished, I have no idea of who or where to send this to when it’s eventually completed. New horizons are necessary.

Away from writing (as much as is possible); I had the wonderful but bizarre experience of hearing Throbbing Gristle’s Hamburger Lady on the radio yesterday evening, as part of Radio 6 Music’s Samhain/scary songs special. It was unexpected and the radio was on at quite high volume; the effect was extraordinary. The area around where the Third Eye’s located felt as if it had swelled and I had the sensation of my head leaving my body. Job done, as far as TG would be concerned, I’m sure. But it does mean that I must get hold of DOA, which contains the track, as it will have various uses, writing and otherwise. The last time something profound happened regarding my Third Eye was during a group meditation several years ago, led by Pam Masterson, sadly no longer with us. I’ve discussed this experience here before, but basically it involved the feeling that my forehead had swung open and a ball of light flooded out. I contacted Pam about this and was going to do some meditation with her, but lack of money made it impossible.

On the subject of Radio 6 Music (a BBC digital station), I appeared on the Steve Lamacq show on Thursday, 19 October, on the Good Day, Bad Day section. I was able to talk self-indulgently about my favourite music, first gig I’d attended, favourite gig and my past as a ‘musician’. He was also kind enough to mention my website and played my ‘good day’ record, which was State Control by the Poison Girls.

 

All images and text © Julie Travis, apart from the title (from a story by Joyce Carol Oates) and front cover of Killing It Softly 2, copyright Digital Fiction.

A house with an infinite number of rooms

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Photo by Julie Travis

Eight stories have now been completed and submitted for my Wapshott Press collection, We Are All Falling Towards The Centre Of The Earth, along with some photographs and a foreword. I can honestly say I have no idea what the publisher will think of the tales. One – The Man Who Builds The Ruins – is several years old and has nearly made it into at least one publication, but the rest are very recent works unseen by anyone except a few trusted friends. I am far from complacent about the book seeing the light of day, and I see that as healthy, a way of keeping me on my toes. I’m taking a very brief break from writing (no more than a few days), just long enough to catch my breath, and then I must begin again. What comes next is something I’m not sure of, but I have a completed story, The Hidden, that needs work, so that might be a starting point. Redrafting one of the two novels I’ve written is also a possibility, but is unlikely to come before writing short stories. Something else I’ve considered is picking those novels apart and developing them into several short stories apiece. I’ve done that with a section from the first novel, The Gathering: one of the chapters has been lengthened to form its own story, which stands on its own outside the novel, but could also be reverted to its original form inside the novel. It’s time now, I think, for some experimentation, with a technique that came up in a discussion a while back. And my dreams have been so frequent and vivid recently that I can see all kinds of story material building up, if I can harness those experiences in a (reasonably!) coherent way.

Over the space of the last two years I have been copying all the emails, texts and photographs I received from Ian Johnstone over our five year friendship and saved them as two lengthy documents. This is partly to ensure their safety – should my email account disappear into the ether for any reason – and to make them more accessible for me to read. Whether I’ll ever do anything else with them is something I haven’t decided – emotionally the job has been immensely difficult, so I haven’t thought much further than keeping the correspondance safe. I like the concept of having excerpts, of emails to others as well as to me, in a book to accompany his art, but we had very few mutual friends, so it’s unlikely to happen.

Fast-Clean-Cheap, the (probably monstrous) anthology edited by Andy Martin, should be published by Lulu.com at the end of September, possibly earlier, with luck. It is still the case that I will have three stories included; this will be the first time in my ‘career’ that more than one story has been taken for an anthology, so it’s quite a milestone from me.

 

All text © Julie Travis, apart from the title, which has been adapted from dialogue from Spanish crime drama ‘I Know Who You Are’.

 

Killing It Softly

Longstone, Isles of Scilly by Julie Travis

I’m delighted to announce that volume two of Killing It Softly, an anthology of horror by female writers, will include a story of mine, Blue. Contracts need to be sorted out, but publication should be in October this year. The anthology does reprints only, so I sent a story that had been published in Kzine #1 in 2011 (and I featured it on this website for a short time). I didn’t re-read it at all – I knew I was fairly happy with it, but there would always be the temptation to re-write parts, which of course would stop it from being a reprint. Interesting that KIS is a Canadian publication – yet again, North America offers a home for my writing.

After much thought and discussion with various people, Humans Remain – the third story of mine to be included in Andy Martin’s Fast-Clean-Cheap anthology – will be published under my name. I had deep misgivings for a while because of the content, but it’s a story that needs to be told. Anyone close to me who wishes to read it will be warned that it’s a nasty, autobiographical tale (well, more literally autobiographical than any other piece of fiction I’ve written). I have no wish to read it again, so I don’t blame anyone who decides not to!

The Spoiler is now complete and undergoing extensive re-writing. It’s been written over such a massive amount of time (more than a decade since it was started) that there’s plenty to do to make it work properly, but I’m confident that it can be included in the Wapshott Press collection. And after reading more about Surrealist writer/artist, Leonora Carrington, I am making sure the story is as fantastique as possible!

 

All text and images © Julie Travis

 

Nostalgia for an age yet to come

Photo: watchmaker’s tombstone, Lydford, Devon by Julie Travis

Last week’s trip to London – to catch up with much missed friends – left me with a fresh perspective on the city I left nearly 15 years ago. The relentless nature of the place hasn’t changed, of course; I knew that however far I walked, the city would still stretch out around me, unlike Penzance, where you can stand at the top of the main road and see buildings give way to green fields and the sea. But what I was surprised at was the cleanliness of the streets in comparison with Cornwall, which looks as if its residents just don’t care about their environment and the politeness and patience of city people, despite the stress of everywhere being constantly busy. I couldn’t connect to the magickal elements of the city when I lived there, but I’m more knowledgable now, so perhaps it would be possible to do so on my next trip there. A visit to Treadwell’s Occult bookshop proved wonderfully overwhelming and will provide the setting to new story Beautiful Silver Spacesuits. I could have spent days there.

One of the friends I met up with was Andy Martin, who has been mentioned here many times. The last time I’d seen him was around 1985/86, when we recorded the 7th Apostles’ e.p. (with the Joy of Living). It was an emotional meeting for me. We spent a couple of hours talking about everything from Nazi skinheads and the Neo-folk movement to musical time signatures to childrens’ tv drama Grange Hill and listening to Unit tracks, and I bought a couple of Apostles’ LPs from the late 1980s off him. My extensive vinyl collection – including at least one of those albums – has mostly been sold over the years, but a few gems remain and to add two mint condition albums to it was very gratifying. A few days after I got home, I had an email from Andy, asking me to contribute a third story to his anthology Fast-Clean-Cheap, scheduled for publication later this year. I didn’t want to take a story from the second Wapshott Press collection, so I dug through my files and found a story that was written about ten years ago, but never submitted for publication because the content – domestic abuse – was based on my own experiences and too painful to share. It’s still a difficult read, but I thought the story was good enough that, with a bit of spit and polish, I can give it to Andy for consideration. He, of course, will make the final decision as to whether it sees the light of day. If it does, however, it’s one story I won’t be saying much about. Hopefully it will speak for itself.

I’m working on two stories simultaneously again for the Wapshott Press collection – The Spoiler is nearing completion of its first draft, and is currently 6500 words long, so may easily get to 8000 by the time it’s finished. And I’ve just begun the aforementioned Beautiful Silver Spacesuits, as well as working on the Foreword and story notes for the book. I’m beginning to feel a bit burned out now, so perhaps once these two stories are completed, it will be time to hand the thing over to Wapshott Press.

But on the other hand, if I push myself just a bit further, who knows what I could come up with…?

All images and text © Julie Travis, apart from the title, by Pauline Murray/Penetration

 

This moment is not forever

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Photo: Julie Travis

And the scales balance again…I’ve swapped stories (mine: A Fairy Ring, due to be published in Andy Martin’s Fast-Clean-Cheap anthology this year, I hope) with writer and friend, Maj Ikle, who I deeply respect for her work and everything else she does. We used to meet in East London for wired conversations about writing and I’ve had many, many constructive and inspired comments from her on my work.

The Spoiler continues in a slightly, possibly a massively different way: I had an idea to change an aspect of the story, and the story has ‘forked’ several thousand words in, so has an alternative idea currently running parallel to the original. Whether this will turn out to be a matter of choosing which path makes the final cut, or if it’s possible to keep both ideas in the final copy, is yet to make itself clear. If the latter doesn’t work in this story, then it’s something I intend to make happen in the future.

I’m very happy to announce that The Morales, a band from Devon/Dartmoor, will be using a photograph of Bodmin Gaol (seen on this website), on the cover of their forthcoming album. I checked the band out and liked what I saw, so gave them my blessing. Best wishes to them!

The backdrop to all this is Kate Bush’s live album Before The Dawn, a cd that confirms the gigs she played in London in 2014 were incredible and the descriptions of them being a ‘spiritual experience’ were not an exaggeration.

All text and images copyright Julie Travis

 

Major writing news

Black Static 53 cover

It’s been an incredibly hectic couple of weeks. As you can see, Black Static #53 is out and includes a comprehensive review of Storylandia 15, as well as a load of great looking reading. Peter Tennant comparies the collection to the likes of Arthur Machen and Algernon Blackwood as well as Clive Barker, and highly recommends it. Illustrious company indeed! Many thanks to Peter for taking the time to do this. I so often operate in a vacuum, it’s extremely interesting and helpful to get an idea of what other people think of what I do. Do I need this kind of validation? As much as anyone else does – I yo-yo between brimming confidence and wild self-doubt, and I was a bit concerned that some of what I now write is just simply inaccessible to the rest of the world.

Following on from the review, I’ve been interviewed by Peter for Case Notes on the TTA Press website. He asked some good questions and I gave some very honest answers. When I first began writing, one of my ultimate goals was to be interviewed. Twenty-three years later, it’s actually happened! (as a writer – I’ve been interviewed as a musician and as a political activist). Of course, what I really meant was that I needed to be heard and taken seriously and the writing provides its own voice. The interview will either get people very interested in what I do or will send them running for the hills.

Andy Martin’s anthology, Fast-Clean-Cheap, is now at the proof-reading stage and is due to be published in September this year by Lulu. It’s likely to be an eclectic collection, with my two pieces probably the only ones inthe horror/dark fantasy vein. Expect the unexpected from Andy!

Finally, I’m very happy to announce that Wapshott Press have asked me to do a second short story collection, for release around the end of 2017. I’ve two or three stories already completed for it, plus a few tricks up my sleeve regarding some older (almost unseen by anyone else) work and two or three new stories to write for it in the next year. The working title for the collection is We Are All Falling Towards The Centre Of The Earth, and I have some thoughts for the book’s cover, too. Once again I have to thank Ginger Mayerson and all at Wapshott Press for such amazing support and faith.

All text ©Julie Travis