A house with an infinite number of rooms

IMG_20170507_102244~2

Photo by Julie Travis

Eight stories have now been completed and submitted for my Wapshott Press collection, We Are All Falling Towards The Centre Of The Earth, along with some photographs and a foreword. I can honestly say I have no idea what the publisher will think of the tales. One – The Man Who Builds The Ruins – is several years old and has nearly made it into at least one publication, but the rest are very recent works unseen by anyone except a few trusted friends. I am far from complacent about the book seeing the light of day, and I see that as healthy, a way of keeping me on my toes. I’m taking a very brief break from writing (no more than a few days), just long enough to catch my breath, and then I must begin again. What comes next is something I’m not sure of, but I have a completed story, The Hidden, that needs work, so that might be a starting point. Redrafting one of the two novels I’ve written is also a possibility, but is unlikely to come before writing short stories. Something else I’ve considered is picking those novels apart and developing them into several short stories apiece. I’ve done that with a section from the first novel, The Gathering: one of the chapters has been lengthened to form its own story, which stands on its own outside the novel, but could also be reverted to its original form inside the novel. It’s time now, I think, for some experimentation, with a technique that came up in a discussion a while back. And my dreams have been so frequent and vivid recently that I can see all kinds of story material building up, if I can harness those experiences in a (reasonably!) coherent way.

Over the space of the last two years I have been copying all the emails, texts and photographs I received from Ian Johnstone over our five year friendship and saved them as two lengthy documents. This is partly to ensure their safety – should my email account disappear into the ether for any reason – and to make them more accessible for me to read. Whether I’ll ever do anything else with them is something I haven’t decided – emotionally the job has been immensely difficult, so I haven’t thought much further than keeping the correspondance safe. I like the concept of having excerpts, of emails to others as well as to me, in a book to accompany his art, but we had very few mutual friends, so it’s unlikely to happen.

Fast-Clean-Cheap, the (probably monstrous) anthology edited by Andy Martin, should be published by Lulu.com at the end of September, possibly earlier, with luck. It is still the case that I will have three stories included; this will be the first time in my ‘career’ that more than one story has been taken for an anthology, so it’s quite a milestone from me.

 

All text © Julie Travis, apart from the title, which has been adapted from dialogue from Spanish crime drama ‘I Know Who You Are’.

 

Advertisements

Transition metal

Photo: Julie Travis

A few updates to note: regarding the second short story collection – March Of The Marvellous is now in its second draft. It’s one of those stories that virtually wrote itself – it was just a matter of writing it down as quickly as possible. It’s somewhat different in tone to the rest of the stories in the collection, being more of a dark fantasy with social/political undertones. And a nasty ending. Saying that, the last story for the collection, Beautiful Silver Spacesuits, has a political backdrop but in contrast is proving incredibly difficult to write. Some stories are just like that, for me at any rate. But progress is still being made, and everything else is almost ready to send to the publisher.

The Killing It Softly 2 anthology is progressing well. It’s going to be a huge book – forty stories long – with a couple of big names signed up. Being so removed from what is, I suppose, my ‘peer group’, the other authors are unfamiliar to me, so this will be a good chance to see what other female horror (ish!) writers are coming up with. Due to the size of the book, the stories have been split into four sections, with mine coming in the third: Another Space, Another Time/Monster Party/Cognitive Deception/The Changed And The Undead. This gives some real cohesion to the book, I think, and my story, Blue, fits extremely well under its heading. Promotional work is beginning to be put together for this publication, and I have already submitted a short bio and an ethereal photo of myself. I’m using the term ‘Transgenre’ to describe my writing, a hark back to an event with performance poet Joelle Taylor many years ago in London. The term is a respectful nod to the huge discussions taking place at the time about Transgender issues.

In a surprising turn of events, I have heard from Diva magazine – they still want to do a feature on the Rebel Dykes film, and they still want me to write it. The release date for the film is some time next year, so when this will happen and what form it will take, I don’t know. There has been a lot going on behind the scenes with this – as I indicated in my last post – so I expect this to (continue to) be a long and bumpy ride.

All images and text © Julie Travis

 

The place where all the starlings meet

IMG_20170509_115625~2

Photo by Julie Travis

I’ve been talking to Ginger Mayerson of Wapshott Press and a few things about the new collection are now more or less settled. The title will be We Are All Falling Towards The Centre Of The Earth and should contain either seven or eight stories. After a week away at Avebury, I’m now back working on the last two stories – Beautiful Silver Spacesuits and March Of The Marvellous. ‘March…’ will be rather different to the rest of the stories – it began as an excerpt from my first novel The Gathering, which still needs a huge amount of work on it, but the piece is being developed into a stand-alone story. The original idea is probably the best part of a decade old, but it’s always been waiting in the wings to hopefully see the light of day.

As for the proposed feature on the film Rebel Dykes for Diva magazine – the film still needs funds in order to be finished and released, which I dearly hope will happen eventually. The story behind the feature is quite a farce, however, where I suspect I’ve suffered both ageism and disablism at the hands of one person involved in the film’s production. Diva’s editor recently left the magazine and to date the Deputy Editor has not responded to my email about the feature. I may name names and tell the full story at some point, but I now have no idea whether this feature will ever be written. I send my best wishes to everyone else involved in the film.

All images and text © Julie Travis

 

Killing It Softly

Longstone, Isles of Scilly by Julie Travis

I’m delighted to announce that volume two of Killing It Softly, an anthology of horror by female writers, will include a story of mine, Blue. Contracts need to be sorted out, but publication should be in October this year. The anthology does reprints only, so I sent a story that had been published in Kzine #1 in 2011 (and I featured it on this website for a short time). I didn’t re-read it at all – I knew I was fairly happy with it, but there would always be the temptation to re-write parts, which of course would stop it from being a reprint. Interesting that KIS is a Canadian publication – yet again, North America offers a home for my writing.

After much thought and discussion with various people, Humans Remain – the third story of mine to be included in Andy Martin’s Fast-Clean-Cheap anthology – will be published under my name. I had deep misgivings for a while because of the content, but it’s a story that needs to be told. Anyone close to me who wishes to read it will be warned that it’s a nasty, autobiographical tale (well, more literally autobiographical than any other piece of fiction I’ve written). I have no wish to read it again, so I don’t blame anyone who decides not to!

The Spoiler is now complete and undergoing extensive re-writing. It’s been written over such a massive amount of time (more than a decade since it was started) that there’s plenty to do to make it work properly, but I’m confident that it can be included in the Wapshott Press collection. And after reading more about Surrealist writer/artist, Leonora Carrington, I am making sure the story is as fantastique as possible!

 

All text and images © Julie Travis

 

Nostalgia for an age yet to come

Photo: watchmaker’s tombstone, Lydford, Devon by Julie Travis

Last week’s trip to London – to catch up with much missed friends – left me with a fresh perspective on the city I left nearly 15 years ago. The relentless nature of the place hasn’t changed, of course; I knew that however far I walked, the city would still stretch out around me, unlike Penzance, where you can stand at the top of the main road and see buildings give way to green fields and the sea. But what I was surprised at was the cleanliness of the streets in comparison with Cornwall, which looks as if its residents just don’t care about their environment and the politeness and patience of city people, despite the stress of everywhere being constantly busy. I couldn’t connect to the magickal elements of the city when I lived there, but I’m more knowledgable now, so perhaps it would be possible to do so on my next trip there. A visit to Treadwell’s Occult bookshop proved wonderfully overwhelming and will provide the setting to new story Beautiful Silver Spacesuits. I could have spent days there.

One of the friends I met up with was Andy Martin, who has been mentioned here many times. The last time I’d seen him was around 1985/86, when we recorded the 7th Apostles’ e.p. (with the Joy of Living). It was an emotional meeting for me. We spent a couple of hours talking about everything from Nazi skinheads and the Neo-folk movement to musical time signatures to childrens’ tv drama Grange Hill and listening to Unit tracks, and I bought a couple of Apostles’ LPs from the late 1980s off him. My extensive vinyl collection – including at least one of those albums – has mostly been sold over the years, but a few gems remain and to add two mint condition albums to it was very gratifying. A few days after I got home, I had an email from Andy, asking me to contribute a third story to his anthology Fast-Clean-Cheap, scheduled for publication later this year. I didn’t want to take a story from the second Wapshott Press collection, so I dug through my files and found a story that was written about ten years ago, but never submitted for publication because the content – domestic abuse – was based on my own experiences and too painful to share. It’s still a difficult read, but I thought the story was good enough that, with a bit of spit and polish, I can give it to Andy for consideration. He, of course, will make the final decision as to whether it sees the light of day. If it does, however, it’s one story I won’t be saying much about. Hopefully it will speak for itself.

I’m working on two stories simultaneously again for the Wapshott Press collection – The Spoiler is nearing completion of its first draft, and is currently 6500 words long, so may easily get to 8000 by the time it’s finished. And I’ve just begun the aforementioned Beautiful Silver Spacesuits, as well as working on the Foreword and story notes for the book. I’m beginning to feel a bit burned out now, so perhaps once these two stories are completed, it will be time to hand the thing over to Wapshott Press.

But on the other hand, if I push myself just a bit further, who knows what I could come up with…?

All images and text © Julie Travis, apart from the title, by Pauline Murray/Penetration

 

And the Winter Solstice begins and ends in blood

Photo: Julie Travis

Photo: Julie Travis

Greetings on this Winter Solstice.

I’ve just found another review for the Storylandia 15 collection, courtesy of Jon Yates on Amazon.com. My thanks to him for these kind words:

‘Slipstream’ Indeed: Waking Nightmares From An Under-Regarded Master by Jon Yates, Amazon.com 22 October 2016.

Julie Travis’ Storylandia collection is a must for any devoted follower of weird/dark/occult fiction. Drawing on varied influences, chief among them Britain’s pagan past, Travis manages to evoke a sense of “widdershins” otherworldiness, a nightmarish sense of the waking world slipping sideways into the inexplicable. Comparisons to writers like Clive Barker and Thomas Ligotti are apt (I’d also add Ramsey Campbell at his most lysergic), though I’d also comfortably file these stories between the stranger works of, say, Jonathan Carroll or Haruki Murakami, as the best of the stories (“Widdershins”, “Scar Tissue”) transcend their genre trappings into a far more magical (sur)realist territory. This collection deserves ten times the attention it has received thus far, and lucky are those who pick it up…I can guarantee you’ll speed through these tales and be waiting as impatiently as I for a follow up.

 

All images and text ©Julie Travis and Jon Yates, as appropriate.

 

Beautiful silver spacesuits

Photo: Julie Travis

Photo: Julie Travis

Plans for the second Storylandia collection have changed: I’m delighted to announce that Wapshott Press now want to publish the collection as a book in its own right, rather than as an issue of Storylandia. Apart from the heartening faith this shows in my work – which is hugely appreciated – this also now gives me 250,000 words to play with, rather than the 50,000 I thought I had. It briefly occurred to me to change the entire format of the book and re-write either one or both of the two short novels I’ve drafted. Both have real potential with a hefty amount of work. But it didn’t feel right to do so: I’m proud to be a short story writer, I believe in the craft and I believe in the stories that are finished and ready to be a part of the collection.

I’m currently working solely on The Spoiler, which is nearly 4000 words long now. It’s progressing in ways I didn’t expect it to, always interesting when a story does that. I used to feel out of control of these things, but these days a different path is something I can shape to an extent, although I also like my imagination to have free rein. I’ll make sense of it afterwards!

Feeling somewhat isolated from other writers, I’ve made an unsuccessful attempt to join a local writers’ group. After initially sounding friendly and welcoming, my enquiries as to which meeting would be suitable for a newcomer to attend have been met with absolute silence. It was worth a try, but the result is that I now feel twice as isolated. Perhaps this is how it’s supposed to be for me.

All images and text ©Julie Travis