Summer Solstice/We are all falling towards the centre of the Earth

Greetings on this Solstice day, wherever you are in the world.

I’m delighted to announce that my new short story collection is now available from Wapshott Press and Amazon (paperback and Kindle versions). There is, perhaps, an accidental theme in this book, having (mostly) been written in the years following the death of my Mother and of a close friend. But at least one of the stories is a good, old fashioned horror tale, albeit with contemporary characters and settings. If I was trying to pin down what I do, the closest I could get would be, “feminist/queer/pagan/surrealist/occultist/dark fantasy”. Not necessarily in that order. But should I pin it down? People, including myself, like points of reference, landmarks and suchlike. Ideally, an open mind should be kept about all things – but when was the last time I read a book that wasn’t from my various genres or obsessions?

The cover photo is a detail from the Jhonn Balance Memorial Woodland, Cumbria, England, taken in April 2016. It seemed appropriate to add a green hue when taking the photo; for me, green stands for Life, nature, the environment. The location is extremely relevant to the theme of the book in various ways, and I’m really happy that editor Ginger Mayerson went with this image.

Story notes for all the tales in this book will appear soon.

 

All text and images © Julie Travis and Wapshott Press

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The manifestation of a divine being to a mortal

Lots of news. Yesterday I had an email from Dark River Press, a UK based outfit, accepting The Ferocious Night (an extract from which I’ll be reading at the Penzance Lit Fest) for their next anthology, Tales From The River Vol 2. It’s due to appear around August 1st on Kindle. The Falling Man, of course, should be published in Storylandia in October(ish). So that’s two stories out late summer/autumn. I’m happy to now have everything that is in a fit state to publish either in print or accepted. I’d left Pieces – the tattoo story – aside for a while as I wasn’t completely happy with the opening line but wasn’t sure what I wanted to do with it. That has now fallen into place and after one more read through it will be heading off to a very gay-friendly publisher. As for Darkworlds Part Two, its current title is Theophany. It may change again! It’s now in novella territory, having more or less hit the 10,000 word mark and a long way from finished. Ideas and imagery are just pouring out and I need to focus and make sure it all gets written down. It’s tempting to stop writing longhand and just rip through a lot of it on the computer, but I’m sticking with pen and paper for as long as I can.

Tickets for Slip Into Something Uncomfortable are now available, and hopefully the site will include some information about both Rosanne and myself. I’m reading the extract as often as I can bear to, and I’m getting a bit better at it. As a wise man said to me, “It’s about the words, not you.”

Midsummer seems to be passing without me noticing it as much as I should (and I’d certainly never be able to do so as eloquently as Phillip Carr-Gomm did a few days back). Jim Causley (a very talented Devon folk singer) played in town this week and I was too ill to attend. Tomorrow is Mazey Day – the climax of the Golowan Festival – and I’m not sure how much of the day I’ll see, but if I can get to one of the processions, then I’ll be happy. I’ve lost a little of my enthusiasm for it since two of the local witches were banned from appearing. More fool the Golowan powers that be: part of the witches’ task is to get good weather for the day!

Apart from some newish folk music (King Creosote’s John Taylor’s Month Away and June Tabor) I’ve been re-connecting with Coil circa the Hellraiser period. Many of the tracks on the vinyl release of The Unreleased Themes to Hellraiser did not appear on the cd release and I’ve been trying to hunt them down. There’s also some pieces on Stolen and Contaminated Songs that are from the era, one of Coil’s best.