Time is a physical property

Old Town Churchyard, Isles of Scilly

Ellen Datlow, editor of the Best Horror of the Year anthologies, has expressed quite some frustration regarding all the stories she doesn’t get to see. This suprised me somewhat, as I assumed all magazine editors would send her every copy of their publications; stories that get picked or shortlisted must be as good for editors as it is for authors. She does encourage writers to nag editors of magazine’s they’ve appeared in. This makes sense, but grates against my British reserve and enforced modesty. I did contact an editor late last year to ask if they sent their magazine to Datlow, but all I got back was a confused reply. It was as if it had never occurred to them to do so. Something else that I’ve noticed is that, despite being fairly prolific last year, not one of the publications I appeared in seems to have been reviewed anywhere. Kzine got a couple of reviews on Amazon, but the sf/speculative fiction press appears to have ignored it. I’m well out of the loop on this, being so far from a city and having no access to the kind of bookshops that would stock the small press, so I might have missed them, but there’s no links on any of the magazines’ websites to reviews, good or bad. Not that reviews are the be all and end all, it just feels as if many magazines are operating in a void.

I’m working quite obsessively now on Darkworlds pt. 2. Some of the characters from the original story are appearing. It feels as if it’s not really down to me. Like the first part, it’s almost writing itself and I’m just trying to keep up. Unlike the first part, I think the story will be less cynical, less harsh, some (essential) horror interwoven into the dark fantasy. I’m in a different place both geographically and spiritually to where part 1 was written (east London) although it’s necessary for the story to remain based in London. While Horse Rotorvator, Lustmord’s The Monstrous Soul and, as I recall, a bit of Kate Bush  provided the backdrop to the Darkworlds that was began nearly exactly ten years ago, the soundtrack to the writing of this part is almost exclusively down to two albums; Matthew Shaw’s Lanreath and Coil’s The Ape of Naples, which inevitably has a slightly incomplete feel to it but is acutely moving, even – perhaps especially – after all this Time.

Advertisements

A bird or a shooting star*

A chest infection has prevented me from doing more or less anything (apart from watching the Montol procession, a hearteningly strange event) for around a month, including no more than a few lines of writing. However, the chance of a week’s recuperation on Dartmoor and illness finally loosening its grip has pushed me to type up a new draft of my latest short story, Pieces. It’s now in a fit state to take away and do further work on. There’s plenty still to do before I’ll let anyone see it; the ending, for instance, has the right words but they’re not necessarily in the right order. It’s quite clunky in places but the meaning is there and it’ll flow in time. It’s nice to write about more unconventional characters than I have for a while, too. Not that many of the people I create are ‘normal’ (whatever that is) but I’m mindful of Sarah Waters’ advice and am happy to have a tattooed lesbian couple in the centre of the tale. They’re right for the story, too which of course is the most important thing.

I haven’t been entirely out of the loop, though – thanks to the Acorn Arts Centre in Penzance, I now have a couple of notices on the Dance and Theatre Cornwall website advertising for an actress to do the reading at the Penzance Literary Festival. I’ve also been assured by event organiser Rosanne Rabinowitz that part of a story will be acceptable. Therefore I’m considering Cross Bound for the event, as I ideally want to do a fairly recently written piece that’s been published. And a review of Kzine on Amazon.com describes my contribution (Blue) as “a dark piece of surreal fiction, the kind of thing Thomas Ligotti would write if he was pretending to be David Lynch for the day”. I’m not as familiar with Ligotti’s work as perhaps I should be (I remember reading some of his work many years ago) and this is not my first comparison with him, but he’s undoubtedly a writer with a nicely twisted view of the world, so this is a great compliment. David Lynch, of course, will be known to anyone who might read this blog. It goes without saying that I’m pleased with the review although it’s perfectly possible that the comparisons were not actually meant as a compliment!

And I’ve discovered, via Spectral Press, that congratulations are due to dark fiction writer Alison J Littlewood, whose first novel has been picked for Richard and Judy’s Book Club. Never mind the inanity of R&J, the exposure for her and for some decent dark fiction will be amazing.

I’ve finally been able to listen to Matthew Shaw’s Lanreath album. It’s a good ambient piece, a little lighter than most of the ambient pieces I have – it doesn’t have the sinister quality of the likes of Coil and Nurse With Wound, but playing it had a quite amazing effect. It took me to Duloe stone circle (where some of it was recorded); I had an insect’s view of the stones, from way down in the grass. I also ‘saw’ the fogou at Carn Euny. I think I’d call it life-affirming. As opposed to Coil, who were life-after-death-affirming. Both have their place. I would love to hear it performed at a sacred site. But why choose Lanreath? There’s nothing on the cd cover or the website to say why. The village’s own website mentions local hauntings, but isn’t everywhere haunted by something? He doesn’t give much away and it would be interesting to know of his spiritual beliefs, if any. Perhaps that’s something I’ll question him on at some point.

*from Daughters of Fire by Barbara Erskine