I recently saw the galley proofs of Storylandia issue 7, (and a sample of the issue is now available from the website) so all appears to be on schedule as far as publication goes (which may still be up to two months away). I’ve been very impressed with the professionalism of the magazine and am really looking forward to getting hold of a copy. As the autumn storms rage here in Mount’s Bay, early but no less fierce for it, I’ve been tidying up Theophany/Darkworlds Part Two. For a 14,300 odd word opus that practically fell out of my head and onto the page, it’s appearing to need a lot of tidying up but remarkably little rewriting. Thanks are due to Peter Tennant, writer and Black Static reviewer/columnist, who publicly encouraged me to write a sequel to the original Darkworlds. Ten years down the line, living a very different life to when the original was penned, it’s been amazingly easy to get close to the same headspace, although I think my change in environment and “born-again Paganism” (to quote a wise man) is clear in the second instalment (which is possible to read without having to be familiar with the original, I think) I’m at a bit of a loss as to where to send it: I’m not arrogant enough to assume Pigasus Press (who published the original in their Premonitions: Causes For Alarm anthology) would be interested, if they’re even still publishing new work. However, that’s a minor concern. The work is what really matters. With Pieces awaiting consideration for another anthology and The Ferocious Night hopefully appearing towards the end of September, the question is: what next? Perhaps a re-write of a very old story called Angel Wing, which I had a read through recently. The general story is good enough although it needs some work, but it was the last paragraph that made me sit up and want to see the piece realise its full potential.
Three pieces of music(k) have been accompanying my every written word and nearly my every move over the last months: King Creosote/Jon Hopkins’ John Taylor’s Month Away (a melancholic Scottish folk song), Fougou’sFurther From The Centre of Disturbance (a very dark, otherworldly, ambient album somewhat reminiscent of Lustmord and Coil, very emotional in places, in a beautiful art package with the field recordings made at sacred sites in West Cornwall) and Cyclobe’s Wounded Galaxies Tap At The Window (more dark ambience; Cyclobe’s claim to be drawing water from the same well as Coil is well justified).
Lots of news. Yesterday I had an email from Dark River Press, a UK based outfit, accepting The Ferocious Night (an extract from which I’ll be reading at the Penzance Lit Fest) for their next anthology, Tales From The River Vol 2. It’s due to appear around August 1st on Kindle. The Falling Man, of course, should be published in Storylandia in October(ish). So that’s two stories out late summer/autumn. I’m happy to now have everything that is in a fit state to publish either in print or accepted. I’d left Pieces – the tattoo story – aside for a while as I wasn’t completely happy with the opening line but wasn’t sure what I wanted to do with it. That has now fallen into place and after one more read through it will be heading off to a very gay-friendly publisher. As for Darkworlds Part Two, its current title is Theophany. It may change again! It’s now in novella territory, having more or less hit the 10,000 word mark and a long way from finished. Ideas and imagery are just pouring out and I need to focus and make sure it all gets written down. It’s tempting to stop writing longhand and just rip through a lot of it on the computer, but I’m sticking with pen and paper for as long as I can.
Tickets for Slip Into Something Uncomfortable are now available, and hopefully the site will include some information about both Rosanne and myself. I’m reading the extract as often as I can bear to, and I’m getting a bit better at it. As a wise man said to me, “It’s about the words, not you.”
Midsummer seems to be passing without me noticing it as much as I should (and I’d certainly never be able to do so as eloquently as Phillip Carr-Gomm did a few days back). Jim Causley (a very talented Devon folk singer) played in town this week and I was too ill to attend. Tomorrow is Mazey Day – the climax of the Golowan Festival – and I’m not sure how much of the day I’ll see, but if I can get to one of the processions, then I’ll be happy. I’ve lost a little of my enthusiasm for it since two of the local witches were banned from appearing. More fool the Golowan powers that be: part of the witches’ task is to get good weather for the day!
Apart from some newish folk music (King Creosote’s John Taylor’s Month Away and June Tabor) I’ve been re-connecting with Coil circa the Hellraiser period. Many of the tracks on the vinyl release of The Unreleased Themes to Hellraiser did not appear on the cd release and I’ve been trying to hunt them down. There’s also some pieces on Stolen and Contaminated Songs that are from the era, one of Coil’s best.