I’m delighted to announce the creation of Dead Unicorn Ventures. This is a group of three – Cat Astley, Teresa Knight and myself – who have become tired of nothing of substance happening for the Queer community in Cornwall, and nothing at all happening in Penzance! As will be obvious from our name, we want to make a point without being po-faced about it and I’m hoping people will get the spirit of what we’re trying to achieve. We have spent the last month or so working on our first event, Swallow Your Pride, which will take place at the Acorn Arts Centre in Penzance on 26 July 2019. This event showcases a real diversity of Queer talent and I cannot express how excited I am at the line-up we’ve managed to book: The Tribunes are from Penzance and play punky rock with a Socialist agenda, Jim Causley is one of the country’s brightest folk singers and musicians and Joelle Taylor is an extraordinary performance poet who’s toured many countries but has not, as yet, ever appeared in Penzance. I’ve worked with Joelle twice before – at the inaugural Queeruption festival in 1998 and at The Poetry Society Cafe in 2002 and I’m finally making good on my promise to get her a gig in West Cornwall! There may also be some comedy and a performance/reading of one of my stories and hopefully an art exhibition elsewhere in the town to run alongside the event, as well as the possibility of a programme/fanzine to be made available on the night. A Facebook page is in the process of being constructed to give details of what we’re doing. It feels like the right time to be doing this and I’m happy to bring my punk sensibilities and experiences to this project. May it lead to many wonderful things.
Lots of news. Yesterday I had an email from Dark River Press, a UK based outfit, accepting The Ferocious Night (an extract from which I’ll be reading at the Penzance Lit Fest) for their next anthology, Tales From The River Vol 2. It’s due to appear around August 1st on Kindle. The Falling Man, of course, should be published in Storylandia in October(ish). So that’s two stories out late summer/autumn. I’m happy to now have everything that is in a fit state to publish either in print or accepted. I’d left Pieces – the tattoo story – aside for a while as I wasn’t completely happy with the opening line but wasn’t sure what I wanted to do with it. That has now fallen into place and after one more read through it will be heading off to a very gay-friendly publisher. As for Darkworlds Part Two, its current title is Theophany. It may change again! It’s now in novella territory, having more or less hit the 10,000 word mark and a long way from finished. Ideas and imagery are just pouring out and I need to focus and make sure it all gets written down. It’s tempting to stop writing longhand and just rip through a lot of it on the computer, but I’m sticking with pen and paper for as long as I can.
Tickets for Slip Into Something Uncomfortable are now available, and hopefully the site will include some information about both Rosanne and myself. I’m reading the extract as often as I can bear to, and I’m getting a bit better at it. As a wise man said to me, “It’s about the words, not you.”
Midsummer seems to be passing without me noticing it as much as I should (and I’d certainly never be able to do so as eloquently as Phillip Carr-Gomm did a few days back). Jim Causley (a very talented Devon folk singer) played in town this week and I was too ill to attend. Tomorrow is Mazey Day – the climax of the Golowan Festival – and I’m not sure how much of the day I’ll see, but if I can get to one of the processions, then I’ll be happy. I’ve lost a little of my enthusiasm for it since two of the local witches were banned from appearing. More fool the Golowan powers that be: part of the witches’ task is to get good weather for the day!
Apart from some newish folk music (King Creosote’s John Taylor’s Month Away and June Tabor) I’ve been re-connecting with Coil circa the Hellraiser period. Many of the tracks on the vinyl release of The Unreleased Themes to Hellraiser did not appear on the cd release and I’ve been trying to hunt them down. There’s also some pieces on Stolen and Contaminated Songs that are from the era, one of Coil’s best.