I’m delighted to announce that volume two of Killing It Softly, an anthology of horror by female writers, will include a story of mine, Blue. Contracts need to be sorted out, but publication should be in October this year. The anthology does reprints only, so I sent a story that had been published in Kzine #1 in 2011 (and I featured it on this website for a short time). I didn’t re-read it at all – I knew I was fairly happy with it, but there would always be the temptation to re-write parts, which of course would stop it from being a reprint. Interesting that KIS is a Canadian publication – yet again, North America offers a home for my writing.
After much thought and discussion with various people, Humans Remain – the third story of mine to be included in Andy Martin’s Fast-Clean-Cheap anthology – will be published under my name. I had deep misgivings for a while because of the content, but it’s a story that needs to be told. Anyone close to me who wishes to read it will be warned that it’s a nasty, autobiographical tale (well, more literally autobiographical than any other piece of fiction I’ve written). I have no wish to read it again, so I don’t blame anyone who decides not to!
The Spoiler is now complete and undergoing extensive re-writing. It’s been written over such a massive amount of time (more than a decade since it was started) that there’s plenty to do to make it work properly, but I’m confident that it can be included in the Wapshott Press collection. And after reading more about Surrealist writer/artist, Leonora Carrington, I am making sure the story is as fantastique as possible!
Life in West Cornwall has recently become about planning for storms, hiding from storms and hoping they’ll pass before the windows are blown in or the roof comes off. Like many places, Mounts Bay has taken a battering, with the last two Spring tides and storm force winds combining to smash much of the front between Newlyn and Penzance and hurl huge paving slabs and granite blocks across the Promenade and into the road.
Somehow, no one here has been injured. Many places are faring worse (we still
have power and for that I’m grateful) but it’s a frightening time and some of us are having to adapt our lives somewhat – including the fact that our links with the rest of the UK are now tenuous to say the least. Perhaps one day it will make for some (cathartic) fiction but for now it’s too dreadful to contemplate in that way.
Despite all this and the endless disturbed nights hearing the wind thundering
against the building, I’ve been managing to get a fair amount of writing done.
All the stories I wrote last year have been edited and re-written where
necessary and are now with Storylandia. I’ve also massively re-worked Rebecca Shadow and it’s now in a coherent state to continue with, although I suspect it won’t be a quick one to finish, having taken the difficult route and based it in a modern house; atmosphere is far harder to work into this setting rather than a rambling old mansion. Although I’m bearing in mind that one of the more famous alleged poltergeist/hauntings of recent times occurred in a Council house in Enfield, Middlesex, during the 1970s; spirits, malevolent or otherwise, can appear anywhere. I’m enjoying the difficulty, actually, the opportunity to push myself, and the whole point of the story is about how the fantastique can be part of ordinary, even deprived, lives. Seth Lakeman’s new album, Word of Mouth, has provided much of the backdrop to my current work, along with the sounds made by Wind Harps – amazing structures that can be part of a door or window frame or sometimes placed at sacred sites to see what musick they create.
As 2013 – a year where utter disaster has rocked myself and almost everyone around me – shudders its last, a few plans are showing progress. First of all, as the photo above shows, UNIT’s new album, The Colours of Life, has just been released. It includes the reworked version of The Wasteland mentioned here a while back, a track which appeared on The Apostles/The Joy of Living e.p. Death To Wacky Pop, which appeared back in 1986, plus the bird photographs that I have recently taken for the band.
I am currently in the process of conducting an interview by email of Ellyott Ben Ezzer, which may appear in Curve magazine. The feature will focus on Ellyott’s impressive solo album, 5772, released in May 2013. The article is already part-written, as I have been familiar with Ellyott’s work for many years, and I’m looking forward to completing it. As far as fiction is concerned, Rebecca Shadow is being extensively re-written in order to base it closer to home (in every respect) – fantastique things happening in the deprived ex-industrial heartland of Cornwall is more exciting and relevant to me than having them happen a step away from the world (or this one, at any rate).
Penzance at 4.51 pm, Winter Solstice 2013
Back in 2002, I attended an event by most of the anarchist punk band Crass at
the South Bank, London. For the sake of completion, I have included a link to Barbelith Webzine, which published the review I wrote just after the event.