Tomorrow, When I Was Young is now available from Eibonvale Press and will be on sale at FantasyCon in Glasgow. A huge thank you to David Rix for all his work – as well as for designing the excellent cover. The story is probably more fantasy than anything I’ve written before and it’s possible I could write further episodes at some future date, but that wasn’t my original intention so the story stands alone.
Work has continued on a project that’s been in progress for around eighteen months. I’ve still not able to make an official announcement about this, but I hope to soon. It’s a unique and very moving project and well worth the time and energy spent on it.
In DUV news, Dykes Ink zine is now available in Housmans Bookshop in North London. We have also been involved in talks about a possible collaboration which could be huge – more information will appear if it comes off.
Photo: Julie Travis
I’m delighted to announce that Tomorrow, When I Was Young has been accepted by Eibonvale Press, for publication as a chapbook in 2019. This is particularly exciting on several levels – a stand alone publication is a big vote of confidence, and Eibonvale Press is a UK publisher – the first in this country, apart from Andy Martin, to publish my fiction for more than a decade. EP’s David Rix was calling for long short stories with an emphasis on magical realism and surrealism and it felt right to send him the manuscript. Thanks to David for having faith in me. If you check out the website, you’ll see how striking and individual the press’ book covers are, so it will be extremely interesting to see what they do for my chapbook.
I’ve now finished all my collaborative projects and am able to reconsider the new story I began a while ago – which has a working title of Sky Eyes. At present, I only have one piece of finished fiction – The Cruor Garland – that hasn’t been placed. As previously stated, I am in no hurry to send any more work to publishers, so it will sit awhile and I will continue to work on it for my own purposes. The Cruor Garland is a fairly Gothic story, hopefully remininscent of 1970s British horror films/tv, but with a far more contemporary attitude, ie the protagonist is of Central or South American origin in a very English establishment setting. Of course, I have to consider what purposes this story will serve. There is usually at least a hint of transformation in most of my work, on various and different levels, and this one features a man being transformed, firstly by the sadness of divorce and then by something possibly far more malevolent. It does, perhaps, reflect the last few years, where much about myself and my life has been changed and some orientation is needed.
All images and text © Julie Travis, apart from the title of this piece (from ‘Rosa Decidua’, by Coil)