Imagination is the only weapon in the war against reality

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Photo: Julie Travis

We Are All Falling Towards The Centre Of The Earth has been getting some extremely positive reviews and feedback. Author Tom Adams describes it as an “enchanting collection…reminiscent of the best that authors such as Ray Bradbury, Philip K. Dick or Robert Aickman can offer,” while author Priya Sharma states it has “the same bold surrealness….of Leonora Carrington. It’s utterly strange and beguiling”. Bearing in mind how much of my work has been overlooked by reviewers in the past (with some notable exceptions), it’s certainly been overwhelming to find this reaction. Additionally, Andy Martin has recorded an audio version of Beautiful Silver Spacesuits and uploaded it (in Parts 1 and 2) on YouTube. I think he’s done a grand job – the sound effects give it a very 1970s radio feel – and I’m grateful to him for the effort he’s put into this.

Vastarien has had a good reception, from what I can tell, with Des Lewis stating my contribution, Trigger, is “unique, I suspect”! And I hope to be able to make an announcement about a major project, due in the Autumn, soon.

Text and images © Julie Travis except where stated and in the title of this piece, which is from Alice In Wonderland by Lewis Carroll.

 

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We are all Falling… reviews

A couple of very kind reviews of We Are All Falling… have appeared. Author Kathryn L Ramage wrote this on Amazon: “This is a collection of short stories of macabre fantasy by British author Julie Travis. Most are set in the UK or Europe in modern and realistic locations, with the uncanny just a step or two away, but at least one seems to take place in an antipodean other-world not far from Australia. Travis’s work is strange and imaginative, sometimes disturbing, often sad, but also occasionally beautiful. The ones I liked best feel as if they ended too soon, as if these were only the first chapters of longer stories. But perhaps it’s a good thing to be left wanting more. As I read these stories, elements in them reminded me of the grotesqueries of Clive Barker, the dark fairytales of Tanith Lee and Angela Carter, the wild countryside of Arthur Machen haunted by pagan gods and lesser beings, and even a little bit of Lovecraft, but there are also startling images and ideas like nothing I’ve read before.”

Des Lewis has also treated the book to one of his intense Real-Time Gestalt Reviews, and I’ve reblogged the entire thing here. There are possible spoilers in this, so be warned.

I’m extremely grateful to both for taking the time to write about the book. Other feedback has compared the stories with either the style or the work of Anais Nin, Gabriel Garcia Marquez and Jorge Luis Borges. It’s extremely interesting to have these new comparisons; it’s only Nin’s work that I’m in any way familiar with. I think it proves how my writing has changed over the years, although it’s also true that the comparisons with Clive Barker and Thomas Ligotti linger, so I still clearly have my roots in a particular style of horror/dark fantasy!

DES LEWIS GESTALT REAL-TIME REVIEWS - established 2008

844D707C-578C-46B1-8993-CB8BBF7F996A

by JULIE TRAVIS

The Wapshott Press 2018

Whenever I read this book, my thoughts will appear in the comment stream below…

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