Lie down among the flowers

Photo: Julie Travis

I’m delighted to announce that Tomorrow, When I Was Young has been accepted by Eibonvale Press, for publication as a chapbook in 2019. This is particularly exciting on several levels – a stand alone publication is a big vote of confidence, and Eibonvale Press is a UK publisher – the first in this country, apart from Andy Martin, to publish my fiction for more than a decade. EP’s David Rix was calling for long short stories with an emphasis on magical realism and surrealism and it felt right to send him the manuscript. Thanks to David for having faith in me. If you check out the website, you’ll see how striking and individual the press’ book covers are, so it will be extremely interesting to see what they do for my chapbook.

I’ve now finished all my collaborative projects and am able to reconsider the new story I began a while ago – which has a working title of Sky Eyes. At present, I only have one piece of finished fiction – The Cruor Garland – that hasn’t been placed. As previously stated, I am in no hurry to send any more work to publishers, so it will sit awhile and I will continue to work on it for my own purposes. The Cruor Garland is a fairly Gothic story, hopefully remininscent of 1970s British horror films/tv, but with a far more contemporary attitude, ie the protagonist is of Central or South American origin in a very English establishment setting. Of course, I have to consider what purposes this story will serve. There is usually at least a hint of transformation in most of my work, on various and different levels, and this one features a man being transformed, firstly by the sadness of divorce and then by something possibly far more malevolent. It does, perhaps, reflect the last few years, where much about myself and my life has been changed and some orientation is needed.

 

All images and text © Julie Travis, apart from the title of this piece (from ‘Rosa Decidua’, by Coil)

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Darkwor(l)ds

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Darkwor(l)ds appeared in 2002, shortly before I left London. Frustrated with trying to find publishers for my work, I put a few of my stories together in a chapbook. One friend (Chris Wing) did the typesetting and another (Caroline Berry) realised my ideas for the front and back cover. Two of the stories were reprints: Best Wishes had appeared in a wonderful magazine/fanzine called Dummy, put together by a collective of women in 1999 and Perpetual Motion had recently appeared in the last issue of Kimota SF/horror magazine, which had been limited to 100 copies. Of the other stories, In The Clear Light Of Day had been accepted by co-editors Rosanne Rabinowitz and Justina Robson for an anthology of horror by female writers, which sadly never saw publication, the rest were also unpublished at that time.

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I was reasonably happy with the end product. The only real mistake I made was not having them edited – and it gave me the freedom to sell some via the Barbelith forum (political/music website inspired by Grant Morrison’s work) and the Forbidden Planet shop in central London. Eventually all but one of the stories was re-written and published in the independent press or anthologies: In The Clear Light Of Day became Blue (Kzine/Killing It Softly 2), The World Beneath My Feet appeared in Cover Of Darkness (as The World Beneath) and Owl-Blasted appeared in Necrologue: The Diva Book Of The Dead And The Undead. I ditched the sixth story (Silent Drowning) as I wasn’t entirely happy with it.

I don’t know how many copies of Darkwor(l)ds I have left, tucked away in a cupboard, but a recent discussion about the chapbook resulted in some interest. At some point I’ll have to dig them out.

Meanwhile – I’ve been asked to take part in an extremely exciting new project. Details are confidential at the moment, but if it comes off I’ll make an announcement.

 

All images and text © Julie Travis