Cross Bound has been accepted by Aphelion, an American webzine, for their next issue. I’m assuming that to be October 2011 but have asked for confirmation. This is great news for several reasons. I seem to have got a real momentum going which I’m determined to continue. Having five stories published during the course of a year is probably no great shakes to some writers but for me it’s a real achievement. Better access to the Internet has certainly helped me find suitable magazines/outlets, and I’ve been lucky in that the two pieces I had in Kimota magazine were re-printed in the anthology, but I also feel I’m in a better frame of mind for writing. I’d placed just about all my completed short stories when I relocated to Cornwall (and was finishing off Darkworlds) and spent years writing two novels and the initial chapters of a book on punk rock ‘n’ roll band Green Day. When that fell through I returned to the short story. It is not, as someone insisted to me the other day, a way of ‘working up to writing novels’! It is a completely different art form. I wrote the two novels because that was the only way of telling those stories. Since then I have finished one novelette (Cross Bound), one short story (The Ferocious Night – with another editor as I write), have nearly completed another long short story (The Falling Man) and have sketched out a new, more concise horror short, (working title Pieces) that had me crawling out of bed the other morning to make notes on it before it disappeared from my sleepy head. I’m aiming to have this one in at under 5,000 words, mostly because I think that’s all I’ll need to tell the story but also because I want to make sure I can still do such a thing. I’m incredibly relieved to know that my more recent, post-novel, work still cuts it. Cross Bound is very different to everything else I’ve done – as I’ve said before, it’s definitely dark fantasy rather than having a crossover with horror. Some of the references to witchcraft and witch hunts come from the Pendle witch trials of the early 17th century, with bits from German witch hunts of the same era, so thanks to R. Hart’s Witchcraft and The Encyclopaedia of Witchcraft and Demonology for essential details. Also to Coil’s Musick To Play In The Dark Vol 2, which has provided the soundtrack to the writing. Coincidentally (if you believe in such things) there was a programme on BBC4 a few weeks back about the Pendle witch trials, which was very well done, with some animation creeping over the brooding Lancashire hills and Simon Armitage walking around in the mizzle.
When my family lived in London I would occasionally meet my parents at Regents Park. One time, around my 30th or 31st birthday, they presented me with a very heavy parcel. It was the recently published The Modern Antiquarian by Julian Cope, in all its blue and orangeness. They’d even got a signed edition. The book has survived many house moves since then and is still in almost perfect condition. Obviously, it’s not a tome that can be taken on trips to sacred sites (and Cope has recently stated that it will always be reprinted in its original format, never as a paperback) but it’s a constant source of information and reference. I’ve always been interested in archaeology but found the more academic work to be dry and without passion. Along with knowing his subject very well, Cope is passionate beyond words. The book has notes written at every site visited, often in howling winds and rain, and he gives a sense of the place, the vibe if you like. It reignited my interest and made me feel that someone like me, who didn’t know the ins and outs of archaeology, could get into it again. And the spiritual side – Paganism, Goddess worship, is as close as you’ll get to where I am – has just exploded in recent years. Try TMA’s website for huge amounts of information on sites all around the UK. The website has branched out to mainland Europe, but I haven’t got that far yet. In another life, perhaps.